Poetry
plus an angry keyboard battle for unfixably wrong line breaks
Overdressed/Overdone
Hearty, winter grub is the dry failed liver.
Packed in pitchy black
a chew of good pump, hearty rot
doggie bagged and boxed in my teeth
For the Mrs
along
with gammon gold
uncrossed from servants’ neck, our hole
now baubled with Holy.
Nostril deep of Kunik kiss
And packed full
of flavour. Scar tissue
garnish from mistake
in the 80s.
I love the ones that stink of old craze,
Their heads a finer meat. And without the weight
Of upper lip stiffie, stone
gets lost
and then some
company, So we can be alone
To pick their bones.
Blithe Spirit(z)
Do I look to God or myself,
In the harp boned ceiling?
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Spine beams: twig snapped
and taped back-
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the dirt beneath its nails a feudal spice
for my unshaven.
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Warm? Hot? Or shriek me lobster.
Be fearful of the Church, but the
arachnid more.
Saliva mummy
for a glass confession, purging
​
soil
and sin, deskinning
me for white.
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Drip-cut through steam upon my
left half-
right half-
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hog roast rotation.
Short-circuit my script in Last Christmas
soap-sud.
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Sweat marrows the tile
but not my self: rotting
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or reviving is she,
in the vomit of hard-water countries.
look after yourself, love
Probiotics
Dog-shit Colombian and a sheepish milk
Wont fill you happy or fill you full,
but the hot slosh rattle will lie anyway;
thanking Lord for its meal and the submarine heat.
Submerged, shadowed and swiftly dimming,
like the lightbulb that wants the least of your pennies
and kneads drivel into Dickens
For the bath of an evening.
The life before
I appetized
Tooth picking
My eyes
open, feels womblike. Milked flat in the double
glazing. A peachy keen clot for jam and bread
without bread. Sometimes I’ll gorge
on her pulp with small spoon, puppet frame
all mooned and made fun of
in the lunacy of lustful cooler white.
Six swipes of the handle and I slump back
Horizontal.
Making dented stare at the wool
Of my belly. Innards jangling
in dinner-time alchemy. Each pop, a polish
for offal that wails of starch sagged daydreams.
Ey Up me Duck
What a spread
decked out on the old round table, blotched
with chairs, going spare from the office
for bagsy not me.
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Egg bapped halves and de-boxed beige and I got you
those bits you said you liked. All patterned in sight and radioactive.
Pipe up on the politics with mouth filled zeal,
Breaded cheese still sharp in its middle. Bites forced
back to the whippersnap claps, (though muffled and
vacant with repetition)
all for bankers’ bonuses and the boozer
left of the street, they ring
on deaf but homely jewelled ears.
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In such scenes, the best thing is to groan.
Groan in British.
And with sauce aisled ceramics on balancing laps, echo the thrum of your
dough stretched tummies.
’10 clean plates!’ and we debate no more
It’s a wonder the prime minister doesn’t reap its lore.
Slapped knees to wake and risen for the next.
But don’t you dare mouth dessert, until the corner is turned.
A circus act waitress against brown seated gasp
and the clingfilm
comes off in ceremony. But then and only then
must you remember the diction of ‘pudding’
for should it crawl out
too prematurely
you’ll be known as the lassie who
‘likes her food’
Small Eulogy
Brazen redcapped girl
I’m told you were trouble.
Scissors bagged from a different draw
to make mosaicÂ
of the back-lawn shrub.
Pepperjack cheeks- all cuts and mars,
sowing scars to scabs as they shed
in your hand- boyish afternoon chews.Â
Last month I turned older than you.
My infant almost-orangeÂ
grew out soon after. Before cake
we took my photo- faithful
dying digital, sun-glareÂ
flashes, four times.Â
Your single-lined headstone carving frame:
name, age, height- Dulux cream ghost.
Kitchen counters covered in you- your pattern
On the fridge door.
An unshapely blur with a possible smile
goldfish locks all swimming in the wind,
more striking than mine ever were.
Wet Coast Spirits (I'm with you)
chewed on
pointed teeth in an unquiet nature, they wail
and I smile back, that’s the truth of it.
To be skinned by a fanged air, empty
stomach wine feeling
I am proud of this winter.
Thick hot throats after three miles, breath
clot conversations before we stop trying
Such a sacred pocket of world;
type-find Turner- for he comes the closest, turning Umber into air, articulating sight.
I never understood the need to reach, to tower
over, as if feeble bones held the weight to cower.
This land would never- human hearts are their manure (remember this).
The halfway stop humbles better, richer, coming, going
why stare? scribble yourself in-
cold flesh makes horizons muddy at the edges. Succouring wet cliffs-the breaker of winds, against them I take five.
Green patchwork above with a stitched-in sun; god bless the eye, for they are all true.
Break blue/green glazing and out she goes. Unpurposed, total and tasting ether, sucking teeth it pulls me through.
And I am everywhere.
The Moments I Don't Know
Spurned to the bedside,
these marinated dregs.
Clagged mossy murk in charity
shop china- swollen
too much to swill.
By morning, its rind shall be grey, burnt
with flecks of old life and myself, forbidden lick of green tea cannibalism.
Tonight, I am aware of the Moment.
Restless, wriggling brain
like a child sick with Christmas,
in such tonights, she is stubborn-
aloof and unpredictable
like the parent gratefully dead:
cushion in hand, crafting eggshells
still.
Green Gable eyes, slapped dull
for each- but before her flesh
I do not flinch.
crumpled bones of paper terrors;
the phantom numb loves given breath
only here. Glorious deformed
beauty of mine.
Re-align your spine on my
fleeting abstracts, I've sprawled here idle
long enough.
Tomorrow, mid-lick I'll ponder you.
Though spongey and pulped
like slick yolky toast, I'll ask
'When did she call?'. After the deep breathing? Before I fetalled side?
You furrow in the blind spots
I claim to know;
the first eight birthdays and the ruler burnt hands.
Tonight
we could imagine I remember them,
but tomorrow I'll ponder those too-
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First Wash
The gallery plaques never tellÂ
you what colour kissed canvas first.Â
the babe unheld:
the far-off horse? I will learn
these whys without wonder,
speculation.Â
Painter - pupils of the prismatic,
Breathing always
and longer than the broken bodied sitter.
Capillary greens sweating the splits
of battles we’d never known.Â
Such vines seep the infant, the firmament,
The babe unheld and forever holding
up an earthy interpretation.
I look out at todayÂ
And decide I’d start with peach.Â
A Tuesday, titan and flushed.Â
What I would carve I wouldn’t know:
Wax-matte fruits or the concrete view
But in my peach I prime the secret
arteries, pulsing with Rousseau, Vermeer,Â
Mordali. Milky first dip that bleeds
and never blears - the peach
IÂ may birth. But the fig bowl thereafter
-sticky rich hued in under slept eyes-
Is a work of hers alone.
for a Drive
Bent coat and backseated. ‘the nice way home’.
We talk in thrums; what to cook, what to watch
What to pick up from the corner shop. Headphones come off
On the nice way home. My mother’s stale humour tickles
Without itch.
I eek
into the milk and eggs and ‘wine or beer?’ spritz
of conversation.
At home I would hate them.
But in the soak of these stones,
beige brick hamlets, pristine
or Pagan, in a freckled 70’s grain
they sing all the more
like syrup. But only
until the summit
of the farewell letterbox
knitted mushroomed and warm for whatever reason.
pro(s)e
not all complete shorts but certainly 'flash' in whatever small burst of energy they came from
Pensioner Pie
Lately I’ve taken to kicking pigeons. Terrorising their gaggling heads with the scruff cracked heel of my boot. If they're fast enough sometimes I miss. Carrot strung and tormented like whipped horse I feel then, - daydreaming in sadism of concrete pigeon pie. The one this morning oddled unaware like some Old Dodger of still mourning. Hands palmed at his back and meandering in everyones way, perhaps my anger potters with him instead. His calamity at the prospect of our pavement chaos, famished for his privilege to dawdle; flat footing for nourishment at the quiet corner drinking house without queue and blue-light glow.  Not all of us have the time to accommodate our bunions. I gaupe back up at the grey usher of wings, always anxious and escaping. Garnishing roof or the centre walkway, is there truly so much difference from the AM stout neckers, the yolk stubbled dwellers of the greasy spoon plastic, Congregating at the crisp of a creased, kitsch, page 2 splurge? At least my loathsome grey hobblers see some world from their chimney vantage. Gogglers thoughtless but on nevertheless. Our prattles are almost their problems, but for now (and not yet) they battle in interruption: sauntering behind our soles and indulging a speckle of our self-hatred. I wonder if over 70 should follow my pursuit- short, tempered & Daily Mail doused. Should he take loafer to his own kind, would he then feel a sting in his own behind? A hot bruised twang before the twig calved stumble. Perhaps tomorrow I’ll kick him instead. Box his ears behind the supermarket trolleys, I’ll eat his sandwiches saved for later. Do we think then, he may learn- unaided and warbling upwards. A knobble of knees and bags for life, would he realise only then the garb of his gift?
'That's my tea!' he'd guff in fire bellow lungs.
But I would hear none of it. Making chowder of cheese and pickle and the dreary of his evening. The vintage cheddar saved for later. For the malt of the armchair and Match of the Day, I milk the dodders solitude for it'll never be mine.Â
Shackled archived and behind the sweat of wildfire summers
The Almost Roast Dinner
I like to think that when I’m hungry- famished in dizziness and swelling for chews that there lives a small man inside my innards. Naked and pot-bellied and scratching the acid walls for first pickings. He sits, I think, upon the moment of consumption, splayed open and patter caking in ready glee of a hot drowning. To be asked home for Sunday dinner I felt his muscles spasm. Pretzel limbed on the train and passing the orchard, he and I both stripped in the steam of speckled broccoli daydreams. And the gravy. Oh, the gravy. Warm concrete thick and haunting the throat long past the loafing. I ask over text if he can do the ‘special’ Yorkshires. Clotted solid in a mattress of blitzed starch, I remember its first plated deliverance and the installation of bacon bapped pigs I street lamped sturdy into its firth.
‘Your mother’s doing it’. Was my singular reply, and the bulge of vegetable steam fell to wilt in green ash. The music bowled to my ears cranked up in double time and the pot-bellied man begins to gorge his own offal. Doused in the remnants of the last Lord’s day, I can’t blame him for favouring jugular over jaundiced carrot. The scraps of my journey now made chowder of time and slow cooker boil of my rehearsalling happy face.
Never underestimate the saving grace of sludge. Be it bread sauce or a ceramic of cheesed something, she forges a mirage like the walled corner of a daybed; duvet pummelled into place and shallowly made. There was certainly a smell than lulled me to the door; burnt sweat of my trek or an uncertain chicken breast, or the charred cardboard of those vegan ‘bits’ from M&S. Rag dolled and bone squeezed inside, I was de-bagged and dandy-handed some wine. She looked caricatured and beautiful; apron bodiced and erratic. I daned to enter the kitchen.
There was starch in her hair, and a handprint of flour- fingers forked outstretched on the centre of her crown- an existential stress rest. The spoon, I take from the side before she elbows it to the floor. I offer myself as ‘dish-up’, making road map of each portion and the fits of colour, my own.
‘Shook them I did. Par-boil.’ She harped with crunching knees in a tea-towelled juggling of the centrepiece. It actually looked nice- Christmas worthy even, and I ushered the box glued slacker from his rest. Joshing together in nostalgic banter, the kettle snapped and found follower in hollow stir. I still grieve for the glory of those potatoes- the clot sodden swallows they could’ve been, were it not for the swill of the muddy puddle. An earth flecked trickle, all waterlogged and anaemic, it lapped through each region blotched, alive and sloshing rim. The pot-bellied man had himself a wash. But I imagine him clumped, legs crossed in the dark- depressed and full on philosophy like one is in a midnight shower.
The Growing Bones of Turbot Girl
All I wanted was a book. None very much in particular, but cheeked against the dominating church of Grampy’s paper alchemy, (laboriously curated- I’m told- after the solitude from my smog haired Granny’s death), I had the urge to palm something new. Not even really to read it, but more so dangle in hand like my teddy bear mutated, or for later, to clap its leather in frustration as I’m sirened to set the table. Teetering unsteady and single legged across the top shelf stack, I fracture the neck of a writer’s name I could barely read for rot, let alone heard of. He drums the thin board below- I think it was a him. My laddered descent in soot bottomed socks greased into a slip that chimed needles to my limbs like flies. He wasn’t damaged, and yet, in his spectacular plummet (name, a now half patchworked ‘Thomas H----) he managed to dislodge a hunk of bottom shelf bookcase, that took knife to the vinyl beneath. In the cavern of the underneath against the wallpaper peel, was something that very much shouldn’t be there.
Shouldn’t, being that for a normal tea with jam family, this would be a nauseous cause for concern. But as this freakishness persists in sprouting at the snuff of each summer, we treat it as routine, along with garden weeding- wagging fingers and lashing tongues to her each season.
Mother was outside and greenhouse shackled, babying carrots like a cat litter- but I shout anyway, howling her vowel twice before claiming a faint attention.
‘BONNIE’S GROWN THROUGH THE HOUSE AGAIN!’
Those of you with sisters, will know the exacting way to hate them; a fiery sherbet sweetness that you hope sticks her hair to her chin and licks with an ever unswattable itch. Bonnie was older than me and blistering with the best. Favoured by my mother for her persistence of long hair; spliced dry and vacuum puffed but swimming in the wind all the same. She broke six bones in her fourteenth year, aiming too high on the balance beam and falling too thick from its limb. Lying in rest for the third time, both arms cricked into teapot china, Grampy once handed her a mug of juice without thinking, before the two laughed in a shared beat of tired eyes and a grumble of ho-hum ‘silly billy Grampy’. An early after school evening saw me sat beside her in dog-eared uniform- yogurt spittle from six hours ago, as she slowly lulled back from bandages. School was fickle and plaqued in play-dough and I gauped at Bonnie’s bone idle body each day with brewing annoyance. Subtle revenge I needed to find.
‘and you’re sure she wanted this one?’ . Grampy tilts down to me in a confusion both reluctant but astonished.
John Ray’s ‘A Book of Fishes’, even in cover, it stank perfectly of boredom. And where Grampy’s nightly reads to her were often glut with spoon-fed hot chocolates and jokes giggled at gently enough to fall silent beneath a sleeping household, an education on Salmon and Tuna fish would be certain to pickle both her head and her hunger.
‘She wants to catch up for the aquarium trip next week.’
Bonnie was a brown-nosed suckler for Miss Buggs biology class and Grampy didn’t take much convincing as I swelled an extra plump into switched on doe eyes.
In the hours that followed, after the flat-bottomed homework hour and a milk and sliced apple candlelight to bed, I eeked past the finger of open door frame that held the right side of my sister and left Grampy unseen in phantom. Why was she smiling? How was she even awake? It was without doubt the skeleton of turbots Grampy was so eagerly reciting, and yet there she lay- cheeks a plant potted rouge and hot from long grin- so pristine to find glee even in the sand dollar scales of the ugliest underwater catch. I knawed my orchard cuttings with a bite full enough of force to behead the Pink Lady all together.
‘’with so many bones- thin and flaked, this brown speckled fish are a difficult but delightful delicacy’’.
‘-flaky bones- sounds like you BonBon. Hair to pair as well, Turbot Girl- a delicacy I’d. Eat. Anyday.’
Stamping his words as he always does in the pensioner flavour of humour that worked on the both of us. My name never gifted itself to being cut in half and ‘nicked’, and neither did Grampy- or anyone really- find enough quirk in my breath to tack me to an oddity, like peanut or pumpkin. But Turbot Girl stuck- even after her muscles relaid her bones. And it’s on her gravestone- after much protest from my parents but an ample push from Grampy who thawed out the fact that this was ‘his house and his money and his new built pond beside the porch’. It isn’t a title mind,- or a hollow voiced eulogy grazing her name in italics, but a drawing. Central and above her in thin groove, floating leftward on a concrete ocean towards the field across the hedge. I’m unsure why we have it really- captaining a pool that still foams dank and cratered without life.
The house finds more shrine than the stone anyway. Bunting strung in every room with wilted cuts of her: artworks, photos, old clothes- she moves in route, invisible and syrupy like the map of a snail. But the speckling of the dead is still, I think normal- people grieve for years, Victoria for 40. But I’m sure Windsor Castle didn’t extend the East Wing with the chowder of Albert’s brittle remains. Then again, he had the privilege of passing unwedged and one pieced.
Their Meanings
That scrunch-in-the-gut pucker of herbal tablets, passenger seated prowess without sight over the dash: holiday road flavours and their hushed/wired halfwayness: that’s Why the plush bear, frazzled and naughties in eBay wear. Like the kind you drew in the margins of my maths book at fifteen.
To help you see that I see. Roadkill batter, hoisted high in your spine. Meat freezer membranes you were once to shy to share with me- now pewter silver in ceremony when I watch you from behind: that’s Why the Rockstar biography that suffers in bad sex and trailer park java.
To remind your second skeleton living in my closet, of fresh mortgage fear and finding a buyer. Focus its bones on harvesting our weeds and gift me another in the seed of your favoured November singer: that’s Why the vinyl- mixtaped online and overpriced but battenburg nice in a lip smacked glee that hits with every song.Â
Because rarely, I do listen, freezing the hands at the brands of certain things that mean nothing but also everything. Drip her in tea, clag her up and sup the raisins dry in the middle. Subtle pleasures to girth out the gift bag: that’s Why the glass and a half that’s apparently in everyone.Â
And finally, the plaque where I string my devotion. For you, handmade and saving me pocket. HB flared out, pouting artistry and prose that’s always strange in person. I write like this to buoy you and bolster this life in posture, before signing off in stupid, a sticky-weed nickname that frees us from the fright of an ‘adult friendship’ yet
Laid Bear
This was the comfiest I’d been in too long. There was a glint in the cracks of the cherry trees, mottled and distant and not too dissimilar from the very same in my young friend’s eyes. Glacial and naïve, she leeched to mothers’ leg- koala bear framed and grieving for me. My right paw draped and crushed beneath a weight in newspaper wrapping and my lungs had never felt so new until they found the stale breaths of a cardboard box. ‘wave bye-bye to Bomba’ puffed mother, both hers- and mine for a period of time, against the throaty husks of the engine start up. Of course, I saw no wave. Swaddled tight in sheaths of duct tape against soup spattered cookery books and the clashing, outdated, baby-in-the-corner vase from the living room. We were boxed in without window. Also, she’d taken my eyes. The blindness I’d tailored myself to- a fresh disability of youth when my friend then, was a mere teething waddle of saggy nappies and eager palms. Baby-blue they were. Sharp and absorbing but safe all the same. Gummed off in the first five months in readiness for the incisors. I minded little at the time, in that there was nothing really so out of the ordinary for my eager vision to make note of: the marriage was happy if occasionally exhausted, the children were content and cared for in firm affection, and there was nobody living in the attic- ushering down midday to an empty house for cold meat fridge raids and a cocky living room romp. The darkness was fine- a welcome defect. To help her grow, to help her learn, to help her ‘treat her toys with respect’. But should I have known then, that in this vacuum of vision, the only sensation left to me was my fur- still at that time delicate and wheat-field tingling- I might’ve hauled myself beneath the floorboards, or behind the radiator or up into the attic until the house was empty. Because as I speak to you now, with unravelled lips and a pelt clagged with magazine nail polish, I realise, and I hate that I am relieved to be rid of it. For though it may be glorious in those first few flushed weeks, the reality is that it is disgustingly dangerous to be loved by a first-born child.
Places of Safety
Not My Kitchen but Amy's
‘Do you think it’s still raining?’. We ponder, irking with grassy itch and shivers against the tablecloth and the doorframe and the aga. Tea at an almost warm but still thirsted after- tasting better perhaps, as punctuation for an evening of cheap liquors in glasses much too nice for them. Our shoeprints, chocolate and scuffed, mottle the tiles in confusing bread trail- we apologise and expel them, left sweaty-socked and sheepish but it’s always fine. The chairs are spurned. All three of them, spindled and vacant but somehow a presence in conversation- we hold ourselves up on pickled legs and each other’s heights for two more hours. The tang of mulled garden and old wood I can already smell before it clings to the jumper, I wear both now and tomorrow morning. With it, I’ll borrow the tickle of  sleep on a different mattress that may last two or ten days on the thick of my skin. It has stopped, I think. The plaque of drizzle and conceited wind. But now we’re in socks, and my teacup- tobaccoed cream and hand painted feels melded to my hands, gifting them the last of the warmth. We stay here.
A Rock Shop Breakfast
The sign was down for maintenance, but the headachy sugar-air beckoned us home halfway up the chine. There’s no need to pull my mother’s arm anymore- the memory alone, all wafer pigtails and cardigans, pining for a starter before her ice cream was far off and enough each year. It’s quiet today. Strange. Pint sized in its few aisles, the early 2000s saw it gunked with children, both united and soldiering alone in parental persuasion for a beach side treat- holiday exclusive ‘oh go on then.’ I quest the shelves for those that were mine. Paper plate breakfast- sugar balled bacon & egg, more expensive than I remember, more expensive than necessary. I clip eyes at my mother, debating the attractiveness of two twinned shortbread tins- and I love her more. Ten minutes pass in idle mooch and laden sugary sweat and I wait for the comment. ‘Dunno how they work in here.’ Pacing in wait for the promenade walk, my father tacks himself to the outside doorframe, flushed out with heavy sigh at the freedom of fresh air. My mother claims her biscuits at the till and I hover over the sweet jars- boiled fruits gummed together in the hot early panting of June. A little girl beside me knocks over the cola bottles and they bounce as one, unshattered. Picking it up from unmopped vinyl she spies the nougat- pink and unusual- her father is summoned with sleeved tug and I leave her to her pitch, remembering the stick of that strawberry rectangle against my own lips, its test on my young tusks, and I wonder whether she’ll also be gouging out chunks from her growing molars on the car journey home.
Cult Bread & The Bridal Room: Totnes Walking
I’ve been here more alone than with others, but I almost prefer it that way. Its bricked secrets I’m not native to but still call mine. To tell if you like a book, you’re to open at page 87.  Not too far in to cheat its twists but still deep enough that its confidence is learnt. To ascend this loft is that very crack of spine. Boxed in bakeries and psychedelic edges, to them I am a welcome intruder. Recruiting tourists over text as I amas my steps, three trips make their plans in advance. The cash only bookshop makes for a returning stop off that swills and steeps the soul. With fresh, eager eyes three weeks hence, we meander- me and my guest- eating olive bread and junk-shop jewellery, both moaning at the mistake of choosing coats in the heat. In the rear of my favourite refuge is a room full of white. Christening frocks and bonnets, tattooed by sun, we’re both in awe (though I always am). Her hair, red and gowned makes richer contrast in phone frame. Nothing is bought, but the zing of new purchase lingers in discovery. Our feet map in hop-scotch into the half doorway exit- time is the youngest sibling here, without responsibility and spoiled. We decide to walk the street again.